Drew Barrymore’s gift-giving list promotes Wichita artist Armando Minjarez’s ceramics

Armando Minjarez is best known around Wichita for his public art projects, such as Horizontes, a large-scale community art project with 20 murals, including the centerpiece grain elevator mural.

But actress Drew Barrymore could help Minjarez become even better known for his ceramics work.

Her “Drew Barrymore Show” is promoting small businesses nationally through Drew’s Little Book of Small Businesses Gift Guide and is seeking nominations through social media.

A couple of Minjarez’s friends replied to Barrymore’s request via social media. They mentioned his Del Norte ceramics business, which he started in 2015 from his Wichita home. He sells his functional pieces, such as plates, vases and mugs, through online sales, which Minjarez said are slowly growing.

He said he appreciated his friends’ comments but then noticed “there were like 40,000 comments or something on her post.”

“I kind of forgot about it. I figured there was no way it was going to happen.”

A New York City-based producer for Barrymore’s show called him, but Minjarez didn’t answer because he didn’t recognize the number. He quickly called her back, and the producer explained she simply wanted his permission to feature him. She didn’t need anything else.

“I was like wait, what?” Minjarez said. “It was just wild. I did not expect that to happen at all.”

He was part of a group of the first five business owners to be featured the day before Thanksgiving. Since then, his website has had a lot of attention.

“It’s been overwhelming but all welcomed.”

Minjarez gets notifications every time someone visits his website.

“It’s been nonstop since she posted it,” he said. “She’s got millions of followers on her social media accounts, so it can really make a difference.”

As of Monday morning, he had 50 new orders, “which is about 40 more than usual.”

Now, Minjarez wants to return the favor by sending Barrymore a note along with a mug or vase “for her to hopefully enjoy personally if it ever gets to her.”


©2020 The Wichita Eagle (Wichita, Kan.)

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The Details Behind Princess Diana’s Iconic Beauty Looks, According to Her Makeup Artist

Princess Diana loved makeup. Whether it was for the red carpet or relaxed lunches, she always wanted to look her best. And, thanks to friend and legendary British makeup artist, Mary Greenwell, she always did.

“She wore makeup extremely well,” says Greenwell, who has worked with everyone from Cate Blanchett to Lily James, as well as Meghan Markle. “I loved enhancing her beauty.” Famed for her sparkling blue eyes and flawless skin, it’s a beauty that’s once more under the spotlight thanks to the arrival of season four of The Crown, which has just dropped on Netflix, reigniting the Diana mania of the 1980s and 1990s that exploded after the princess’s untimely death in 1997.

But, of course, we mustn’t believe everything we watch, which is why we caught up with Greenwell to get the real story behind Diana’s relationship with makeup, what she was like in person, and how she would have fit within today’s beauty landscape.

Can you tell us about your approach to makeup when you worked with Princess Diana?

There was no different creative process when working with the princess than with anyone else. I mean, she was obviously one of the biggest celebrities I’ve ever worked with, so my approach when I’m working with someone of that caliber—as in, celebrity caliber—is to make them feel relaxed and good. You have to understand you’re with someone who has their own personality and to consider them at all times.

What did you want to convey with each look? Was it about merely enhancing her natural beauty or tailoring it to a specific event?

Both. If she was going to a red-carpet event, then obviously you would consider that. If it was lunch, it would be much more gentle. It depends on where she was going and what she was wearing. You always approach it as a new time, each time, so to speak. I loved enhancing her beauty, making her look glamorous for the red carpet and then making her look and feel relaxed in her own skin the rest of the time. She wore makeup extremely well.

Diana, Princess of Wales at Costume Institute Gala at Metropolitan Museum of Art for a benefit ball. Photo by Richard Corkery/NY Daily News via Getty Images

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WarriorUP with the new clothing line by artist Jay Odjick

It only seemed right, says artist Jay Odjick, that he should take his artwork to a whole new level.

“I think its important that we see ourselves portrayed in a positive light and I want to bring that from TV to books into clothing now,” said Odjick.

“We need to see positive heroic Indigenous depictions on the streets and on our bodies.”

Odjick launched his WarriorUP clothing line late last week. WarriorUP includes T-shirts, hoodies, jogging pants, socks, leggings and other workout gear.

On Nov. 17, Odjick teased his newest creations on Facebook with the single word “Tomorrow.”

Because he is well-known as the creator of Kagagi, the first-ever animated Indigenous superhero television series, which first came to life in a graphic novel, his followers figured he was launching another work of graphic fiction.

But instead, Odjick surprised everyone with his clothing line, which includes, among other artwork, an Indigenous man and woman as superheroes.

“The First American, Captain Indigenous” has a medicine wheel on his shoulder, wields a Navajo shield, and sports a star on his chest. The female figure is entitled “Girlpowered” and Odjick describes the young woman, whose face is in profile, as “classy, simple, not overdone.”

Another logo is entitled “Skoden Club.”

“Skoden is a meme that’s spreading,” said Odjick. “It’s a little bit rowdy.”

He explains “Skoden” as a very quick oral version of “let’s go then.”

His fourth design is a blue thunderbird, which depicts power.

The WarriorUP line is all about doing things. Especially in this time of the coronavirus when so many people would rather be couch potatoes, Odjick says, WarriorUP gear emphasizes the need to work out and partake in a fitness regime.

But it’s also about standing up for Indigenous rights.

“WarriorUP isn’t about combat or violence. It’s about taking a stand for things you care about or believe in,” said Odjick.

There’s pride that comes in having an Indigenous superhero like Kagagi or someone like Helen, the main character in the Robert Munsch children’s picture book Blackflies, which Odjick illustrated.

“When I was growing up there were no superheroes or children in books who looked like me,” said Odjick.

And there’s not a lot of Indigenous apparel out there, either.



Odjick says that right now he is focused on reaching First Nations people. While he knows Blackflies, which was a narrative shared with Munsch by a First Nations family, found a reading audience with non-Indigenous people, Odjick says his “primary goal” is to bring “cool designs” and a sense of pride to First Nations people with their own apparel.

Odjick, who is Algonquin from Kitigan Zibi Anishinabeg First Nation in Quebec, would like to expand his WarriorUP gear to include artwork from other First Nations illustrators. It is important to him that that work be authentic. It’s not his place, he says, to re-create Coast Salish art.

He’ll be reaching out personally to artists from the West Coast to see if they may

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a celebrity make-up artist on how to look good on video calls

When you’ve been working from home for what seems like an eternity, it’s easy to let rituals like a daily make-up routine fall to the wayside. But taking the time for these quiet moments can not only focus your mind on the day ahead, but also serve as the confidence booster you need for a long day of video calls. We asked celebrity make-up artist and Armani beauty collaborator Naoko Scintu, whose star clients include Emily Ratajkowski and Jodie Comer, for her expert advice on how to look and feel your best for your next important Zoom dial-in.

It all starts with your base

giorgio armani luminous silk foundation
Giorgio Armani Luminous Silk Foundation, £43


Giorgio Armani

“The one thing I always do is a base, to set me up for the day. My philosophy is definitely ‘less is more’, so I would start with a light foundation that gives a dewy, glowy finish. My all-time favourite is Armani Luminous Silk Foundation, because the texture is so great and it’s easy to use. You can also build it up if you feel like you need more coverage without it rolling or getting cakey – it’s a really seamless application.

“Start with a small amount – one pump on the back of your hand. And then I like to work from the middle of the face, around the nose, and blend outwards, as you usually need more coverage in the centre of your face. Then you can go in with concealer around the eyes and wherever you might need a bit more coverage.”

Build dimension

“If you’re on a video call, where you’re talking to someone in 2D, it’s nice to create a bit more depth on the skin following foundation. I’ll pat some blush onto my cheeks and highlighter on my cheekbones. I love the blush and highlighter from the Armani Neo Nude collection – it gives an instant freshness and glow.”

Add an easy eye


Gregory Scaffidi

“For the eyes, I want something quick but effective. I’ll use an eyeshadow like the Eyes To Kill Stellar, which has a bouncy, buildable, gel-based texture, so the pigment won’t fall everywhere.

“I just take my finger and sweep it along my eyelid – it’s super-fast but amazingly impactful. And then I always use my eyelash curler and Eyes To Kill Mascara – I like separated, voluminous lashes.”

If you only have one minute…

neo nude fusion powder
Giorgio Armani Neo-Nude Fusion Power, £50


Giorgio Armani

“I’ll just pat on concealer underneath my eyes. I use the Luminous Silk Concealer – it comes in 20 shades, so it’s easy to find your colour match, and it’s really blendable.

“Then I’ll do a sweep of Neo Nude Fusion Powder. It’s applied like a finishing powder, but it gives a bit more coverage and has a liquid consistency once it’s on the skin. I like to use one in a shade that’s a bit darker, so it adds some sun-kissed colour to the skin and gives me an instant

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Jennifer Lopez’s makeup artist Scott Barnes shares three holiday beauty looks

As Jennifer Lopez’s longtime makeup artist and the brains behind the “J.Lo Glow,” Scott Barnes wants to help you look just as glamorous as his superstar client this holiday season.

In honor of his namesake beauty line’s brand-new Beauty Vault ($715) — which comes packed with 10 eyeshadow palettes, three mini sparkling Pavé Powders, three lip pencils and 10 mini lip glosses as well as bronzer, blush and highlighter palettes — Barnes put the products to the test to create a trio of different holiday makeup looks, exclusively for Page Six Style.

Above, watch as the beauty whiz demonstrates a bronzed and glowing daytime look, a berry-toned eye and rosy cheeks for dinner and cocktails and a blue smoky eye for a late-night party. Then, check out the full product breakdown and how-to below.

Look 1: Daytime

A holiday beauty look by Scott Barnes
Scott Barnes

Eyes: Using the White Gloves Palette from the Beauty Vault, apply the color White Minks (white shimmer) to the center of the lid, French Champagne (pale peach champagne metallic) to the brow bone and inner corner and Razzmatazz (beige pink shimmer metallic) and Pink Lady (pink and gold chrome shimmer) to the crease. Then, using the Vault’s Evening at the Ritz Palette, apply the shade High Maintenance to the upper and lower lash line.

Lips: Start with the pinky-brown Glamazon Lip Liner in Christy ($18), then apply two mini lip glosses from the Vault: Glitter Britches (nude with silver and gold glitter) and Parfait (sheer pink with purple and gold sparkle). Finish with one more shade from the Naughty List Lip Gloss Set ($45): Stargazing (gold, rose gold and pink glitter).

Cheeks & Face: Add a beautiful bronzed glow using all three Duo Palettes from the Vault: Toasty Fireside (bronzer), Sugar Plum (blush) and Shimmering Nights (highlighter).

Look 2: Dinner and Cocktails

A holiday beauty look by Scott Barnes
Scott Barnes

Eyes: Using the Jingle Ladies Palette from the Beauty Vault, apply Very Berry (warm purple metallic) to the crease and lower lash line, Glitz n Glamma (warm gold shimmer) to the lid and inner corner and both Second Hand Rose (matte raspberry rose) and Rose Colored Glasses (rose gold shimmer) as a color wash all over.

Lips: Start with the dusty rose Glamazon Lip Liner in Karen ($18). Then slick on French Vanilla (nude shimmery gloss) from the Marshmallow World Lip Gloss Set ($45).

Cheeks: Add a rosy glow with the Sugar Plum Duo Palette from the Vault.

Look 3: Afterparty/Gala

A holiday beauty look by Scott Barnes
Scott Barnes

Eyes: Using the Luxedo Palette from the Beauty Vault, apply Blue Velvet (navy satin shimmer) at the lower and upper lash line and the crease. Then, add Smoke Show (slate blue gray satin shimmer) at the crease and Black Tie (black with rainbow glitter) across the lid. Finish with Cushion Cut (silver sparkle) at the inner corner and brow bone.

Lips: Apply Opulence (frosted chrome gloss with holographic shimmer) from the Marshmallow World Lip Gloss Set ($45).

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McQueen, Burberry and Moncler feature in luxury Hong Kong fashion retailer Joyce’s mind-bending new collaboration with Belgian artist Christophe Coppens

Joyce’s latest displays centre on tarot card-inspired works; seen here is a sketchbook based on The Sun card. Photo: Joyce

Joyce’s latest displays centre on tarot card-inspired works; seen here is a sketchbook based on The Sun card. Photo: Joyce

Luxury fashion retailer Joyce has transformed its Central boutique into an experiential space, in collaboration with talented Belgian multidisciplinary artist Christophe Coppens and other collaborating artists, while graphic design and digital elements will complement the themes at all other Joyce stores.

In its totality, the project is called The Seven Wonders of Joyce, with each “wonder”, or art installation, depicting its own carefully curated portfolio of fashion titans in a fantastical and immersive artistic experience.

Gucci garb in The Sims? Video games could be luxury’s latest marketplace

The Tower is themed around a hedonistic nightclub. Photo: Joyce

© Provided by South China Morning Post
The Tower is themed around a hedonistic nightclub. Photo: Joyce

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Tarot cards are the foundation stone for the project, realised by Coppens, who has been a long-time collaborator with the premier Hong Kong fashion retailer.

“This project brings together many of my favourite roles that I play: an artist, a retail experience imagineer, a designer, a customer, an opera director, a cultural omnivore and a maker of all things beautiful. My partnership with Joyce as the imagineer is the most delightful and aptly named,” said Coppens.

With these new multisensory displays, launched in October for autumn/winter 2020 and continuing into spring/summer 2021, customers are invited to imagine an eccentrically-designed house filled with creatives that are defining our fashion beyond seasonal trends.

Periodically, Joyce plans to pull different artists into the fold, starting with Angelica Hicks, a fashion favourite known for her satirical illustrations.

The dream team conceived the first wonder, The Tower , to lean into the idea of sudden unforeseen change – something we can all relate to in 2020. It is staged as a nightclub seething with hedonism.

Luxury brands should focus on China in 2021 – but how?

a close up of text on a black background: The Sun pays homage to urban stylings. Photo: Joyce

© Provided by South China Morning Post
The Sun pays homage to urban stylings. Photo: Joyce

Perhaps unsurprisingly, this first maximalist act of Joyce’s wonderland journey is headed by pieces from Olivier Rousteing’s Balmain. Another in-demand creative director represented in The Tower is Jonathan Anderson, creative director of eponymous label JW Anderson and Loewe.

Video artist Javier Barcala also joined the project team, tasked with creating visual sensations in the form of seven short digital films released in succession over the next seven months. For The Sun, the second installation in this special project, Barcala depicts a mythical life form that lives in darkness and reacts to the light.

Why do celebrities love Marie France Van Damme’s luxury resort wear?

Barcala described the soundtrack accompanying the video as, “a chorus-based chant that may come from the organism itself. And, it seems to be having a hell of a good time!”

a group of people that are standing in the snow: The sketchbook for The Magician Photo: Joyce

© Provided by South China Morning Post
The sketchbook for The Magician Photo: Joyce

The Sun was described as an “homage to the urban cult”, paying tribute

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Artist Adam Pendleton on Painting Through Quarantine and the Beauty of Mistakes

Back in March, as New York City began to empty, conceptual artist Adam Pendleton left Brooklyn for Germantown, N.Y., his longtime Hudson Valley retreat, which, he says wryly, “I value for its lack of going-on-ness.” He commandeered an empty room for a studio and spent a few weeks adjusting to the new reality. “Then I just found a different rhythm,” he says. “We’re a very adaptable species.”

Hunkered down there and occasionally zipping back to Brooklyn, the 36-year-old finished more than half of the pieces slated for his first show at David Kordansky Gallery in Los Angeles, opening November 7, which will include a video, paintings and silk-screen collages on Mylar. The paintings share both his signature motif of spray-painted text and the title Untitled (WE ARE NOT). Those three words appear on every canvas, but they’re frequently off-kilter—out of order, overlapping or cut off. The idea, Pendleton says via Zoom from Germantown, is to “complicate theories and notions of representation.” Words, he says, are where abstraction and representation meet.

The phrase “we are not” comes from the “Black Dada” essay that Pendleton wrote in 2008 and that continues to inform much of his work. In the text, which examines Blackness and the avant-garde, he lists traits that “we are not,” including “naïve” and “exclusive.”

“Defining yourself by not what people say you are—it’s really up to the viewer to fill in that space,” he says. But while those viewers are oft inclined to read his commitment to a sparse palette of black, white and gray as a political statement, Pendleton insists it is “not connected to race.”

Pendleton’s go-to painting method involves brushing on pigment and spray-painting words, which he then photographs, layers and prints onto the canvas. “I love that I can’t always control how much paint comes out, so I end up with these drips and splatters, these beautiful mistakes,” he says. “These errors are what make the image worth looking at.”

Pendleton’s art-world breakthrough came in 2007, when, at the age of 23, he preached a charged sermon, backed by a gospel choir, at the Performa Biennial. A few years later, he joined the blue-chip Pace Gallery, becoming its youngest artist at the time. Text has been integral to his art from the beginning. In addition to painting, he was an avid playwright growing up in Richmond, Va., the son of a primary-school teacher and a contractor who moonlighted as a musician. Eventually, he says, “the visual world kind of scooped up or partnered the language. Now it’s very much one and the same.”

That partnership is apparent not only in his paintings and drawings but also in his ongoing series of video portraits, for which he pens the scripts, though he feels at liberty to depart from them. The latest, What Is Your Name? Kyle Abraham, A Portrait, 2018–19, will be on view at Kordansky. The captivating 19-minute piece deconstructs documentary-style interviews with double entendre and repetition, bordering on interrogation, to

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Live Now on Artnet Auctions: Explore Sublime Photographs of Switzerland’s Natural Beauty by Artist Douglas Mandry

The award-winning artist Douglas Mandry explores the nature of reality through his photographic works.

Mandry, who has partnered with Swiss luxury skincare house La Prairie to capture sublime landscapes of his homeland, finds that photography allows him to convey a universal message, regardless of language or culture. 

Now through November 19, three of Mandry’s works for La Prairie are live for bidding in our latest Contemporary Photography sale on Artnet Auctions. Mandry’s striking pictures of the Swiss landscape would make an exciting addition to any contemporary photography collection. 

While the famed landscapes of Switzerland have been shaped in the public imagination by both art and pop culture, Mandry feels a unique connection to the country where he was born, lives, and works. For his collaboration with La Prairie, the artist traveled all over Switzerland to capture natural phenomena that caught his eye. Then, once back in the studio, he would re-appropriate the landscapes and add his own meaning. 

“Of course, nature is beautiful as it is, but what is even stronger is the feeling you get when you actually experience it physically,” Mandry said of his artistic process. “What I try to do with the way I work with my images is to transpose a bit of my emotion into the landscape which I photographed, and increase or add emotions to the subject and share the emotions that I feel, which I believe are stronger than reality.”

Douglas Mandry, Over the sea of fog (2020). Archival pigment print, 90 x 110 cm. Est. $3,000–5,000.

Douglas Mandry, Over the sea of fog (2020). Archival pigment print, 90 x 110 cm. Est. $3,000–5,000.

The three works live in Artnet Auctions’s sale—Horizon II (2020), Light Beam Over Titlis (2020), and Over the sea of fog (2020)—are also being sold for a good cause. Proceeds from the sales of all three works will go to the ETH Foundation (the Swiss Federal Institute of Technology), whose internationally recognized Department of Glaciology has made outstanding contributions to glacier studies, climate studies, and environmental conservation. 

“I like that art has become a means to protect nature and to create awareness. Since nature is my main inspiration, it is a beautiful thing to be able to give back,” Mandry said.

La Prairie also has a history of supporting the ETH Foundation. In 2019, in honor of Swiss National Day, the company donated proceeds from select sales to support the preservation of Swiss glaciers.

Don’t miss your chance to purchase a masterwork of contemporary photography while donating to this influential foundation. Click through to view the lot pages for Horizon II (2020), Light Beam Over Titlis (2020), and Over the sea of fog (2020), and be sure to place your bid before the sale closes on November 19. 

Don’t hesitate to contact the specialist for these lots, Madeline Cornell, with any questions.

Junior Specialist, Photographs
+1-212-497-9700 ext. 167
[email protected]

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10 Beauty Products That Celebrity Make-Up Artist Caroline Barnes Swears By

From Pixie Lott and Cheryl Cole to Kylie Minogue and Kelly Rowland, Caroline Barnes is the international make-up artist who paints the faces of some the biggest celebs on the planet. And, when she’s not mixing with the A-list, she can be found sorting the beauty workhorses from the show ponies over on her Speed Beauty YouTube chanel.

Make-up artist Caroline Barnes exclusively reveals to WH her ultimate skincare tips, along with the beauty products she relies on to get the job done.

© Provided by Women’s Health UK
Make-up artist Caroline Barnes exclusively reveals to WH her ultimate skincare tips, along with the beauty products she relies on to get the job done.

It’s safe to say what she doesn’t know about beauty really isn’t worth knowing. Here Caroline exclusively reveals to WH her ultimate skincare tips, along with the products she relies on to get the job done.

Caroline’s skincare rules to live by

1.Be aware of your skin’s needs on a daily basis

‘This helps me to decide what to use. As I have dry skin, it’s all about hydration and re-generation. I want my skin to look as good as it can for my age and I’m fortunate enough to learn from some amazing brand owners and industry experts.’

2. Use a Vitamin C, Retinol and SPF

‘Vitamin C in the morning, retinol at night and daily SPF. I do this religiously. In between, I’ll use hydration masks and exfoliate at least twice a week. I try different products at varying price points so I always have a queue of things to use, but I make sure I give each product enough time to see results so that I able to do it justice when talking about it.’

3. Invest in actives

‘I have very bad sun damage, due to being advised to sit in the sun without protection to cure my acne when I was younger. So aside from the use of vitamin C and retinol, I use other products intermittently. My skin gets lazy and lacks lustre so I need to keep stimulating it with active ingredients. AHAs are brilliant for brightening and smoothing my complexion, helping it to really glow. I’m also battling gravity so any products that can boost my collagen levels are given a high priority.’

The 10 products Caroline Barnes swears by

1. Skinceuticals CE Ferulic Serum

a close up of a bottle: SkinCeuticals C E Ferulic Antioxidant Vitamin C Serum for Normal/Dry Skin 30ml

© lookfantastic.com
SkinCeuticals C E Ferulic Antioxidant Vitamin C Serum for Normal/Dry Skin 30ml


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‘This is the holy grail of Vitamin C and has made a huge difference to the brightness of my skin. Vitamin C is a powerful anti-oxidant that helps to repair damaged skin cells. Because it’s a potent ingredient, my skin can get by many vitamin C products, but this one is perfect. It’s now a staple in my skincare routine.’

2. Dr Sam Bunting

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Blizzard Founding Artist Samwise Didier Chats About His Methods And Drawing Women With Muscles

Samwise Didier has been drawing art for games at Blizzard Entertainment for almost as long as there’s been a Blizzard Entertainment. If you’ve been gaming for long, you’ve seen one of his sketches or paintings, and you might even recognize his trademark swoosh of a cartoon signature with its oversized i-dot.

He’s created for nearly every Blizzard game: Warcraft, StarCraft, Diablo, Hearthstone, Heroes of the Storm and Overwatch. His freelance work includes a pile of album art and a wide variety of side projects, including the top-secret first new project for former Blizzard VP Chris Metzen’s Warchief Gaming tabletop game studio.

This month Abrams Publishing released a gorgeous, oversized $50 color hardcover of his artwork: Brutal, the Art of Samwise. I caught up with him to talk about the methods behind his heavy-metal-inspired madness. This is part one of that interview.

Heather Newman: So you’re a crack-of-dawn kind of guy. How did you get started with the early schedule?

Samwise Didier: The way to get them on a morning schedule, and I highly recommend this, is to do a press tour over in Europe, and then just keep that schedule. I never adjusted back from a European press tour of StarCraft back in 2012 or whatever it was. So that’s how I stay to get up early.

Newman: What do those mornings look like?

Didier: I wake up usually between 5:00/5:30. I don’t turn my computer off from the night before, I have the piece of artwork that I was working on or the story that I’m writing right there. I don’t particularly do things like, I’m going to do some warm up sketches or I’m going to do this to wake up a little bit. Screw that, just get right to work. Just start drawing and your mind will wake up before your body does.

I’ve been doing it long enough now to where I’ve noticed that I’ve turned into my dad. My dad used to get up at like 3:30 every morning and feed the dogs and cats and all that stuff. And now I’m just turning into my old man.

Newman: You’ve used everything for your art — pencils, Post-its, paint. Where do you start now?

Didier: When it comes to work stuff, whether it’s personal or day job-related Blizzard stuff, it’s mostly on the computer. Now just sketching with pencil and sketch pad is just what I do for fun. If there’s a story I will sketch out things ahead of time. I’ll be working out what a costume looks like, or I’ll be working out the proportions of, if we have five characters standing next to each other, I want to build that sort of superhero team, you know, the short one, the tall one, the buff one, the smart one, the robot

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