Billboard’s 2020 Women In Music Hall of Fame Honorees Speak Out

This was the year Roc Nation client Megan Thee Stallion claimed superstardom, at No. 1 on the Billboard Hot 100 with “Savage” (featuring Beyoncé) and as the featured artist on Cardi B’s “WAP,” which topped the Hot 100 for four weeks. Rostermates Lil Uzi Vert, Alicia Keys and Mariah Carey all reached new peaks. And Roc Nation, after partnering with the NFL to use its platform for entertainment and social justice, in February co-produced the Super Bowl halftime show with Shakira and Jennifer Lopez. Reprise: A Roc Nation Album raised funds for the National Association of Criminal Defense Lawyers Foundation for Criminal Justice, and JAY-Z successfully lobbied for passage of probation reform legislation in California. Through it all, says Perez, she has managed the stress of the year by “focusing on things within my control and making sure we are better positioned for whatever the new normal is.”

Song That Inspired Me in the Past Year: “Alicia Keys’ ‘Love Looks Better on You,’ because it recognizes that love is the best option.”

Danielle Aguirre (Co-executive of the Year 2018)
Executive vp/general counsel, National Music Publishers’ Association

Courtesy of NMPA

Danielle Aguirre

The NMPA this year continued to focus on reaching settlements and deals for licenses to “provide needed revenue for our members and songwriters,” says Aguirre, noting that the organization has finalized global settlements and/or licenses with Peloton, TikTok, YouTube, Snap Inc. and others. Aguirre also continues to oversee the NMPA’s battle against Spotify, Amazon, Google and Pandora in the wake of the tech companies’ appeal of a 2018 Copyright Royalty Board decision to raise publishing royalties. In November, the NMPA joined the Nashville Songwriters Association International in a motion asking the CRB to set interim royalty rates at the current levels.

Crucial Issue Facing the Music Industry: “How to protect live-music venues and slowly bring people back to live events. Live music is what I miss most about these last months.”

Jacqueline C. Charlesworth (Co-executive of the Year 2018)
Partner, Alter Kendrick & Baron

Chris Reed

Jacqueline Charlesworth

“It will be exciting to see the launch on Jan. 1 of the new Mechanical Licensing Collective created under the Music Modernization Act,” says Charlesworth, whose efforts — along with Aguirre, Dina LaPolt and Susan Genco — to achieve passage of the landmark music licensing law led to their shared recognition as Executive of the Year honorees in 2018. Charlesworth remains on the front lines of copyright battles, filing a brief late last year with the D.C. Court of Appeals on behalf of two groups to support increased royalty rates for songwriters. In July, she testified before a Senate subcommittee on what she called the “broken” Digital Millennium Copyright Act, which governs copyright online. “A little over a year ago,” she says, “I left a big firm and moved to Los Angeles. I’m extremely grateful to have built a thriving music and copyright practice out here, even in the midst of a pandemic. And I’m especially proud of my work on

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Billboard’s 2020 Women In Music Hall of Fame Honorees Speak Out

Chosen by Billboard as first among their peers in prior years, these former Executive of the Year honorees reflect on the achievements, activism and unprecedented challenges of 2020.

Desiree Perez (Executive of the Year 2019)

CEO, Roc Nation

This was the year Roc Nation client Megan Thee Stallion claimed superstardom, at No. 1 on the Billboard Hot 100 with “Savage” (featuring Beyoncé) and as the featured artist on Cardi B’s “WAP,” which topped the Hot 100 for four weeks. Rostermates Lil Uzi Vert, Alicia Keys and Mariah Carey all reached new peaks. And Roc Nation, after partnering with the NFL to use its platform for entertainment and social justice, in February co-produced the Super Bowl halftime show with Shakira and Jennifer Lopez. Reprise: A Roc Nation Album raised funds for the National Association of Criminal Defense Lawyers Foundation for Criminal Justice, and JAY-Z successfully lobbied for passage of probation reform legislation in California. Through it all, says Perez, she has managed the stress of the year by “focusing on things within my control and making sure we are better positioned for whatever the new normal is.”

Song That Inspired Me in the Past Year: “Alicia Keys’ ‘Love Looks Better on You,’ because it recognizes that love is the best option.”

Danielle Aguirre (Co-executive of the Year 2018)

Executive vp/general counsel, National Music Publishers’ Association

The NMPA this year continued to focus on reaching settlements and deals for licenses to “provide needed revenue for our members and songwriters,” says Aguirre, noting that the organization has finalized global settlements and/or licenses with Peloton, TikTok, YouTube, Snap Inc. and others. Aguirre also continues to oversee the NMPA’s battle against Spotify, Amazon, Google and Pandora in the wake of the tech companies’ appeal of a 2018 Copyright Royalty Board decision to raise publishing royalties. In November, the NMPA joined the Nashville Songwriters Association International in a motion asking the CRB to set interim royalty rates at the current levels.

Crucial Issue Facing the Music Industry: “How to protect live-music venues and slowly bring people back to live events. Live music is what I miss most about these last months.”

Jacqueline C. Charlesworth (Co-executive of the Year 2018)

Partner, Alter Kendrick & Baron

“It will be exciting to see the launch on Jan. 1 of the new Mechanical Licensing Collective created under the Music Modernization Act,” says Charlesworth, whose efforts — along with Aguirre, Dina LaPolt and Susan Genco — to achieve passage of the landmark music licensing law led to their shared recognition as Executive of the Year honorees in 2018. Charlesworth remains on the front lines of copyright battles, filing a brief late last year with the D.C. Court of Appeals on behalf of two groups to support increased royalty rates for songwriters. In July, she testified before a Senate subcommittee on what she called the “broken” Digital Millennium Copyright Act, which governs copyright online. “A little over a year ago,” she says, “I left a big firm and moved to

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Cardi B, Dolly Parton to be honored at Billboard’s Women in Music event

Nov. 18 (UPI) — Cardi B, Dolly Parton and more will be honored at Billboard’s 15th annual Women in Music event, which takes place virtually on Dec. 10 at 8 p.m. EST.

Cardi B will be named Woman of the Year, an award given to artists whose music, performances, cultural influence and activism defined the year.

Parton, meanwhile, will receive the new Hitmaker Award. The award recognizes songwriters whose compositions have impacted the culture in a crucial way.

Jennifer Lopez will be honored with the Icon Award, Dua Lipa the Powerhouse Award, Chloe x Halle the Rising Star Award, Jessie Reyez the American Express Impact Award and Brianna Agyemang and Jamila Thomas the 2020 Executive of the Year Award.

Teyana Taylor is hosting the event, which will be live streamed from Billboard’s website.

Parton recently made headlines for donating $1 million to the Vanderbilt University Medical Center in Nashville, which has helped U.S. biotech firm Moderna develop a COVID-19 vaccine.

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