It’s a development that its most famous occupant might have predicted, even if it would have him spinning in his well-visited grave.
North London’s Highgate cemetery, final resting place of Karl Marx, is to undergo a makeover to enhance its visitor experience. In addition to a spot of landscaping, it will have an exhibition space, a separate gift shop and possibly a cafe.
Home to the remains of 170,000 people, Highgate, which opened in 1839, is the latest cemetery seeking to capitalise on the public’s growing interest in death. Brompton cemetery in south London has recently been given a makeover which saw buildings restored and a lodge turned into a visitor centre with the help of a £4.5m grant from the National Lottery Community Fund.
And Brookwood cemetery in Surrey, which has been operating since 1854 when London’s cemeteries became overcrowded following a cholera epidemic, is now opening a museum of death.
“People used to think that visiting cemeteries was a bit weird, a bit ghoulish, a bit morbid,” said Dr Ian Dungavell, head of the Friends of Highgate Cemetery Trust which maintains the cemetery with no public funding. “Now they are realising that cemeteries are part of our historic cultural environment.”
This would perhaps not be a surprise to Marx, who observed in the Communist Manifesto: “In bourgeois society… the past dominates the present.”
But Dungavell suggested it was actually a vogue for family history, popularised by online genealogy sites, and a more open attitude to discussing death, that had seen death tourism come back into fashion.
“There’s a sort of circularity about these discussions. When Highgate opened, cemetery tourism was a big thing, not just in London. If you went to Paris in the 1830s, one of the top places to go was Père Lachaise – it was a must-see.”
Highgate, which today draws 100,000 paying visitors a year, up from 63,000 seven years ago, opened before London had public parks, offering a day out for city dwellers. At the time, it took out advertisements boasting of its unrivalled views across the capital and the splendour of its Egyptian architecture.
But as cemeteries fell out of fashion with more people opting for cremation, Highgate, once used as a horror location by Hammer films, fell into benign neglect and nature attempted to take back the gravestones.
“There is an aesthetic attraction,” Dungavell acknowledged. “Monuments are tumbling down and ivy is growing over them. It can be quite moving. There is sense that nature has it in for all of us – it’s going to win. That’s quite poignant, and people really appreciate that. But romantic decay is still decay, and as the trees get bigger the potential for damage becomes much greater.”
Aware of the sensitivities involved,